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and its focus on an object from the artist’s everyday life
All of the images were brought to me by the real people and events of my time
making them feel closer to the area’s natural topography
In Self-Portrait (Pink Face) (2017)
This publication—comprising two books housed in a slipcase—was produced on the occasion of Sterling Ruby: ACTS + TABLE at Gagosian
Takashi Murakami: Flowers & Skulls Edmund de Waal and its focus on anThis book was published on the occasion of Takashi Murakami: Flowers & Skulls at Gagosian, Hong Kong, the artists first exhibition in that city. Featuring new paintings, the presentation juxtaposed the artists natural optimism with his critical perspective on postwar Japan, symbolizing the dichotomy through the stark contrast of smiling flowers with menacing skulls. Whether pictured in single portraits or complex groups, these resonant memento mori
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